I had an hour this morning to start working on the detail sanding. The first thing that's important is to be able to see. You can't work on something you can't see. I wear an optivisor a lot, that lets me see detail, and see scratches and areas that need worked on and be able to tell when they're finished.
(You need to Login or Register to view media files and links) To work the cheekpiece edge, I use a door wedge. The thin edge lets me work up to the shadowline, parallel with the grain, without rounding or gouging it.
(You need to Login or Register to view media files and links) If you have problems with the sandpaper slipping, overlap one of the edges, wrap up to the top, and you can hold it against slipping.
(You need to Login or Register to view media files and links) (You need to Login or Register to view media files and links) I use the tapered part of a pencil to wrap the sandpaper for the finest cupped edge of the cheekpiece, and then anything round the right diameter for the larger parts. A dowel, or in my case, a handy punch handle.
(You need to Login or Register to view media files and links) (You need to Login or Register to view media files and links) The detail work is what differentiates a good stock, get the small details right, and sanded without defect. I still need to take the stock off the receiver and sand the stock end where they meet.
(You need to Login or Register to view media files and links) (You need to Login or Register to view media files and links) There's a couple of small checks in the grain, I mix dyed acraglass and some sanding dust and fill them. Now have to wait a day or two before I can resume sanding.
(You need to Login or Register to view media files and links) (You need to Login or Register to view media files and links) (You need to Login or Register to view media files and links)